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16-Jul-2017 19:04

Theatre Found partnered with Paul Mitri’s All the World’s a Stage theater group two years ago to present a critically acclaimed production of “Freud’s Last Session” in several “found spaces” around Honolulu. “Romeo and Juliet”: Shakespeare’s best-known romantic tragedy, directed by Rob Duvall with an “age appropriate” cast. 10 “Mining for Cole”: Shari Lynn is joined by vocalist Kip Wilborn and pianist Jim Howard in a multimedia celebration of the life, times and timeless compositions of composer/lyricist Cole Porter. Elliot is in Jordan making a film about America’s war in Iraq; Jasmin is helping out at a Philadelphia soup kitchen. 23-March 11 “The Road to Mecca”: An old woman who lives alone and creates odd concrete sculptures is in danger of being sent to an old folks’ home until a young woman she once helped comes to her aid. ”: Characters Boo and Hoo are happy, even when they get an “ouch,” but when they start to feel other people’s ouches, they set out with their box of Band-Aids to fix all the ouches in the world. “A heart-pounding homage to the geek and warrior within us all.” Nov. April 12-21 “The Full Monty”: Unemployed steelworkers decide to become male strippers in this musical comedy by Terrence Mc Nally and David Yazbeker, based on the 1997 film. 7-24 “The Legend of Georgia Mc Bride”: Economic problems force an Elvis impersonator to become a female impersonator at a Florida bar in this sassy comedy with music by Matthew Lopez. 9-26 “Baskerville: A Sherlock Holmes Mystery”: Arthur Conan Doyle’s classic “The Hound of the Baskervilles” presented as comedy with a cast of five portraying more than 40 characters. 11-28 “Fun Home”: Based on Alison Bechdel’s 2006 humorous “graphic memoir” about growing up lesbian and life with her funeral home-operating family. 1-3 Earle Ernst Lab Theatre — Late Night Series “Ragtime”: An unhappy, married, upper-class white woman, an ambitious Jewish immigrant and a talented African-American musician confront poverty, prejudice, hope and despair in turn-of-the-20th-century New York. If your comments are inappropriate, you may be banned from posting.July 14-23 “A Comedy of Errors”: Shakespearean comedy transported to what looks like New York in the 1920s. 6 Chekhov minifestival: “The Seagull”: plus two Chekhov shorts: HSF founder Tony Pisculli directs “The Seagull,” 19th-century Russian playwright Anton Chekhov’s acclaimed look at love, life, innocence, betrayal and the cost of leading an artistic life. 3 “Choir Boy”: Tarell Alvin Mc Craney’s play is set within the Charles R. 3 “Boy”: After a male infant survives a disfiguring accident, a well-intentioned doctor convinces his parents to raise him as a girl. 6-22 “Picasso at the Lapin Agile”: Comedian/playwright Steve Martin imagines what might have happened if Albert Einstein had met Pablo Picasso in a Parisian cafe in 1904 — before Einstein transformed physics with his theory of relativity and Picasso set the art world afire with cubism. An international favorite by South African playwright Athol Fugard. 2-19 “Plantation Plays”: Stories about life on Hawaii’s sugar plantations, presented on the grounds of Hawaii Plantation Village in Waipahu. March 1-18 “Shear Madness”: An interactive comic whodunit that allows the audience to question the suspects and then vote on the solution to the mystery. May 3-20 “The Princess and the Iso Peanut”: A “traditional fairy tale” princess falls in love with a Japanese-American prince but must pass an unusual test before she’ll be allowed to marry him. 8 “The Spitfire Grill”: A recently released parolee is inspired by a page from an old travel book to start a new life working at the Spitfire Grill in Gilead, Wis., in this musical “about hope and transformation in difficult times,” based on the 1996 film. 15-24 “Fights & Delights: Three Chinese Comedies”: “Xiqu” (Chinese opera) performed in English and filled with “convoluted acrobatic contortions, mistaken identities, adorable lovers and exhilarating battles” becomes a celebration of “the clown” designed to appeal to audiences of all ages. 16-25 “Nora”: Filmmaker Ingmar Bergman’s adaptation of Henrik Ibsen’s masterpiece, “A Doll’s House,” focuses on the central characters and “exposes the heart of Ibsen’s controversial play without mercy or apology.” April 13-24 Earle Ernst Lab Theatre — Primetime Series “Fa’alavelave: The Interruption”: The death of a family member reveals long-kept secrets that strengthen a Samoan-Filipina lesbian’s appreciation of the value of family and her Samoan cultural legacy. Flag comments if you believe they do not follow our guidelines.(The “shorts” — “Avenger” and “Bear” — will be presented one hour before the official showtime, and are free.) Aug. ”: James Grant Benton’s 1974-vintage pidgin “translation” of Shakespeare’s 1602 romantic comedy “Twelfth Night, or What You Will,” performed at the lawn outside the mission houses. 3-17 “Yesterday’s News”: Historical figures talk about their contributions to Hawaiian history; performances take place at Oahu Cemetery. “The Last Days of Judas Iscariot”: Mother Teresa, Pontius Pilate, Sigmund Freud, Simon the Zealot, Satan and Jesus Christ are among the witnesses in this provocative courtroom drama about the most hated man in Christianity. Drew Prep School for Boys, dedicated to the creation of strong, ethical black men. The repercussions of that decision continue to unfold two decades later, as the child becomes an adult struggling with gender issues. April 13-29 “The Prodigal Son”: A 17-year-old boy from the Bronx suddenly finds himself in a private school in New Hampshire. 30 “Masters of the Currents”: A play created with community interviews confronts the widespread negative stereotypes of Micronesian immigrants head-on with stories of the challenges Micronesians face when they come to Hawaii. Lisa Matsumoto’s pidgin version of “The Princess and the Pea.” July 5-22 “The King and I”: The classic Rodgers & Hammerstein musical about the complicated relationship between King Mongkut of Thailand and Anna Leonowens, the no-nonsense governess he hired to teach his children in the 1860s. Click here for more information on our commenting system.Pharus wants to be leader of the school’s legendary gospel choir. He’s violent, gifted, alienated and on fire with a ferocious loneliness. 18 “Demigods Anonymous”: Young 20-something demigods try to live normal lives and control their ability to transform into supernatural animals. March 22-April 22 “Dead of Night”: The year is 1956. In Edward Sakamoto’s “suspenseful thriller about economic reality and the death of idealism,” five union members decide to violently pressure their employer to meet the union’s demands. I am passionate about self development and exploring my spirituality.I am interested in taking it slow and establishing a friendship and see where it leads to.

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UH-Manoa associate professor of theater Mark Branner is a key member of the group; Branner directed a Hollywood production of the show in 2009 and is also directing this one. 5-21 “The Happiest Song Plays Last”: Pulitzer Prize-winning playwright Quiara Alegria Hudes’ sequel to “Water by the Spoonful” follows the experiences of Elliot Ortiz and his cousin Jasmin Ortiz. 4-11 “Extraordinary Stories From an Ordinary Ohana”: Veteran playwright (and Star-Advertiser columnist) Lee Cataluna examines what it means to live in contemporary Hawaii, the value of connection and community, and the diversity we experience in building our personal ohana. A new musical exploring the basic question of what makes us go. April 13-May 1 “Monsters and Maidens Burlesque”: The LCC Theatre Program opens its 43rd season with a G-rated song-and-dance revue inspired by its upcoming production of “She Kills Monsters.” Aug. 10 “She Kills Monsters”: A young woman finds her deceased sister’s “Dungeons & Dragons” notebook and discovers an imaginary world that is populated by homicidal fairies and nasty ogres, and steeped in 1990s pop culture. 17-26 “The Merchant of Venice”: Shakespeare’s controversial tragedy about a bitter Jewish moneylender who demands a man’s heart (“a pound of flesh”) as payment for an ill-advised debt. An insightful discussion of ideas and viewpoints is encouraged, but comments must be civil and in good taste, with no personal attacks.

Matsugoro had come to Hawaii at the age of 37 while Figueira came at the age of 14, and the couple had met while working together in the cane fields.



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